Pope of The Lower Octaves: Will Jarvis

Manteca: Will Jarvis

 

In 37 years only three people have sat in the bass chair. No, wait a minute, no one “sits” in a bass chair in Manteca, if the groove don’t move the “bass person” (note gender neutral) Houston we have a problem. Henry Heillig, was the founding bassist (sounds like founding father, not gender neutral, but I’m in Charlottetown today hence the reference), in 2012, after 34 years of dedicated service Henry took the massive buyout option to concentrate on his awesome band the Heillig Manoeuvre. His last album is a gem among many great releases, and you can find it here.

Pat McBride followed Henry for the Monday Night at the Mensa Disco record and he burned it up! I was always happy to have Pat in the band for his playing and sense of humour but also because he came from Dartmouth, Nova Scotia. Our drummer, Charlie Cooley comes from Halifax, Nova Scotia. I don’t know how much you know about the centuries of ethnic fighting between Haligonians and the Dartmouthians, a people separated only by a bridge, but it is fierce, ugly and tragic. To unify these two guys in the same rhythm section, despite years of sectarian violence, I thought positioned Manteca very well for a prize, no, not the Juno, the Nobel Peace Prize…yeah, whatever! Bob Dylan.

Pat and Charlie got along great and my next assignment is to fix the Middle East, but Pat had too many things on the go and eventually the band was summoned to the secret hall where we have a ritual similar to the Papal Enclave and after 30 seconds of discussion, the white smoke was emitted and the adoring crowds were introduced to the new Pope of the lower octaves, Will Jarvis.

Now Will has played with everyone from Steve Gadd to Tito Puente so we were mighty happy to get him. We sent him charts and tracks so he could get up to speed on the Manteca book, which as you know is very simple, nothin’ to it really. He shows up for the first day of rehearsal, sets up the amp, sets up the pedals, tunes the basses but no music stand and no music.

“Hey Will, did you bring your charts?”

“Nope, don’t need ‘em, memorized it.”

“Okay then”.

So then we’re all asking him questions about the form of the new tunes…on his first day of rehearsal…”do we repeat A before we take the coda, I forgot?”

Keener!

Will has been a joy to have in the band on so many levels and has just released his first solo recording a superb CD called, Con Gracious, which has received critical acclaim and a remarkable audience response.

Art Avalos: Tito Puente Injections

Manteca: Art Avalos

 

We’d been in Manteca for more than ten years when I finally figured out how come he was so good. Oh, I’d always been a little in awe of his playing. You could lean across his groove and it would not move…he seemed locked to some metronomic God of percussion. Maybe instead of vaccines when he was growing up in California they gave him Tito Puente DNA injections. No matter what instrument he had in his hand, he always had something inspiring to say and I’d mumble to myself, “you know dude, you really should practice more”. When we would record I would taunt him, “Art play better so I can take credit for it!”, I mean really, who knows which hand drummer is playing what hand drum on which side of the stereo spectrum? In 1991 we were in Los Angles doing a concert at the Hollywood Bowl for the Playboy Jazz Festival. We went to Art’s parent’s place for a BBQ, arrived on our gigantic tour bus, which goes a long way towards announcing the homecoming of a long lost son! The Rock Star is in!

 

We were having a swim in the pool, the chicken was grilling, the home made tortillas were on the griddle, the neighbors were all wandering inside the tour bus and that’s when I realized that Art’s percussive powers came from a little box sitting on a shelf above the sink. It was a tiny, tinny plastic radio, welded to the local Salsa station. He had been listening to this box since he was crawling on the kitchen floor…so in a way he did have DNA infusions of Puente.