Extra Extra: Our 1992 Album

Manteca: Extra Extra - 1992

According to iTunes, as I would never remember something like this, Extra Extra came out on July 6, 1992. The tune Extra Extra is classic Aaron Davis, lots of call and response, a deep, heavily layered syncopated groove, an acoustic piano breakdown, lots of shots… , a lighting director’s dream. Art solo’s on this and kills it as usual. We opened the show with this tune for years. A great opening for Jazz Pyro…yes, I know you may not be familiar with that term. The voice in the role of the “paper boy” in the soundscape at the top of the tune is my eldest son Oliver. Which means both my sons have appeared on Manteca recordings as my youngest, played accordion on the Mensa Disco record. The Extra Extra release is mostly a compilation of the previous five recordings, but the other new tune on this disc was written by Rick Tait and is Beau Soleil en Soleil, which is a joyous Zydeco meets Manteca thing. Johnny Johnson rips up the ending on alto.

Pope of The Lower Octaves: Will Jarvis

Manteca: Will Jarvis

 

In 37 years only three people have sat in the bass chair. No, wait a minute, no one “sits” in a bass chair in Manteca, if the groove don’t move the “bass person” (note gender neutral) Houston we have a problem. Henry Heillig, was the founding bassist (sounds like founding father, not gender neutral, but I’m in Charlottetown today hence the reference), in 2012, after 34 years of dedicated service Henry took the massive buyout option to concentrate on his awesome band the Heillig Manoeuvre. His last album is a gem among many great releases, and you can find it here.

Pat McBride followed Henry for the Monday Night at the Mensa Disco record and he burned it up! I was always happy to have Pat in the band for his playing and sense of humour but also because he came from Dartmouth, Nova Scotia. Our drummer, Charlie Cooley comes from Halifax, Nova Scotia. I don’t know how much you know about the centuries of ethnic fighting between Haligonians and the Dartmouthians, a people separated only by a bridge, but it is fierce, ugly and tragic. To unify these two guys in the same rhythm section, despite years of sectarian violence, I thought positioned Manteca very well for a prize, no, not the Juno, the Nobel Peace Prize…yeah, whatever! Bob Dylan.

Pat and Charlie got along great and my next assignment is to fix the Middle East, but Pat had too many things on the go and eventually the band was summoned to the secret hall where we have a ritual similar to the Papal Enclave and after 30 seconds of discussion, the white smoke was emitted and the adoring crowds were introduced to the new Pope of the lower octaves, Will Jarvis.

Now Will has played with everyone from Steve Gadd to Tito Puente so we were mighty happy to get him. We sent him charts and tracks so he could get up to speed on the Manteca book, which as you know is very simple, nothin’ to it really. He shows up for the first day of rehearsal, sets up the amp, sets up the pedals, tunes the basses but no music stand and no music.

“Hey Will, did you bring your charts?”

“Nope, don’t need ‘em, memorized it.”

“Okay then”.

So then we’re all asking him questions about the form of the new tunes…on his first day of rehearsal…”do we repeat A before we take the coda, I forgot?”

Keener!

Will has been a joy to have in the band on so many levels and has just released his first solo recording a superb CD called, Con Gracious, which has received critical acclaim and a remarkable audience response.

JLo plays with Manteca

 

Manteca: Jason Logue

JLo plays with Manteca Nov. 10th. Yep, that’s right JLo, Jason Logue on Trumpet and Flugelhorn. And while he does not have 154 million Twitter followers like @Jlo, he does burn a right soulful solo, time and time again. I won’t say it looks easy, because when you watch Jason blowing, he is so concentrated and so serene, so inside the path he is on, always melodic and then full of piss and vinegar and then melodic again, to me his solo’s just feel honest. He also makes his debut as a Manteca composer on The Twelfth of Never with his wonderful tune Five Alive, which Jaymz B has advised us to do a dance mix on. It’s in 5/4 which makes it perfect for the Mensa Disco.